CFast 2.0 is expensive – reader a separate purchase.Additional mount/cage required for SSD support – separate purchase.Large horizontal width means you’ll need an offset plate for a gimbal.D-Tap to LEMO/Dummy Battery adapter required for bigger batteries – separate purchase.Mini XLR to XLR adapter required for XLR microphones – separate purchase.No support for gimbals, no control and no LANC.Touchscreen is fixed, so you’ll most likely need an external monitor.Extended Video Gamma is great! Very cinematic images.You get DaVinci Resolve Studio 15 free!.All exposure and peaking tools can be output via HDMI as well.Punch in to a closer view for manual focus.You can toggle on or off lens image stabilization (if supported) in-camera.Option to stop recording if media card drops frames. Camera suggests shutter speeds based on selected electrical frequency.Choice of shutter speed or shutter angle.Both XLR (Phantom powered) and 3.5mm inputs.All the major controls available on-camera for easy access.Battery charges while alternative power is connected to the 2-pin LEMO port.RAW, compressed RAW, future Blackmagic RAW.Best colors I’ve seen on any camera below $3,500.13 stops of DR at lower ISOs and about 12 stops at higher ISOs.The BMPCC 4K isn’t restricted by electrical frequency or whatever, so why have this at all? I hope they fix this. for pointing out the clips from a similar format are only visible on playback. Maybe Resolve 15.1 isn’t doing something right, who knows?Īlso, thanks to Imiy F. I’m sure others will test this as well, and maybe BMD can fix it with a firmware update or color science update. Maybe BMD can market this as some other term instead of “dual native ISO”? It’s not dual native ISO in my book, and definitely not ISO 3200 as I’ve tested it. With the Pocket Cinema Camera 4K, there’s no way ISO 4 matches in terms of color response and noise. No camera is truly dual native, but that’s the meaning of the term. The Panasonic Varicam does this quite well. They should have similar color and noise response. E.g., you shoot at the lower ISO at daylight or in studio and the higher ISO in low light/night. But it’s not in everyone’s budget.ĭual Native ISO as introduced by Panasonic means if you shoot specifically in those ISOs, the footage must be similar enough to match later in post. I would definitely pick a SmallHD 7″ monitor for its versatile software options and size. The BMPCC 4K ( Amazon, B&H) can pass on exposure and focus features via HDMI, so even if you’re monitor isn’t capable of these things, you should be fine. Links to a few cheap monitors, all 1920×1080:įor more options check out the Best 7? On-Camera Monitors Under $200
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